Geometry, the site of form and function, may resist its innate rules to offer a sense of liberation, allowing elaboration, ornamentation and re-engagement with the curve, without gesture’s touch. The breadth of geometry, crossing all boundaries and civilisations, can embrace illusion with decorative connotations but may equally demand severity. I have no need for invention....
A conversation with Jim Hedges and Piero Tomassoni around Artvisor's exhibition featuring some of Warhol's iconic polaroid and silver gelatin prints.
In the 'Who is that?' Podcast, created by podcast production studio Storm and creative anonymous social network Anon, Artvisor's Nico Epstein focused on the anonymity of digital artists to shed light on the pros and cons of anonymity and how e-commerce and digital marketing change the art landscape.
Drag queens - people, usually men, who use dress and makeup to imitate and exaggerate female gender signifiers for entertainment - were of great fascination to Andy Warhol, who explored the figure through varying mediums, including the silkscreen, photography and performance.
In his early 20s, Andy Warhol began wearing a wig. At first, it was to disguise his hair loss. However, as the years went on, the unique silver wig contributed to his avant-garde mystery, and the wig, a means of concealment, became a recognisable feature of the public figure of the artist.
Artvisor are pleased to present Andy Warhol Photographs 1970 - 1986, viewable by appointment at our London location.
Artvisor is delighted to announce its latest exhibition, Julian Beck. Works on Paper 1941-1954, opening 3 March 2022.
Today marks the opening of Rome's new luxury W Hotel from Marriott International, the first in Italy.
The trickster artist recalibrates the meaning of IKEA in our latest London exhibition.