Artvisor

Art Business: Up-to-the-Minute at Christie’s Education, with Piero Tomassoni

Christie’s Education is set to hold a two-day programme on the latest art world developments from 16 November to 17...

‘Giuliana Balice 1974-75’ at Atelier Coldefy, Paris

The exhibition Giuliana Balice 1974-75, organised by Zuecca Projects in collaboration with Fondazione Tomassoni, was inaugurated in October at the...

‘Strange Clay: Ceramics in Contemporary Art’ at Hayward Gallery, London

Large-scale installations by Shahpour Pouyan (b. 1979) and Salvatore Arancio (b. 1974) are featured in an ongoing major survey exhibition...

Reverie’s Sogno 5: Icaro at Fondazione Morra, Naples

On Friday, 30 September 2022, the Italian artist Reverie carried out her performance Sogno 5: Icaro in the courtyard of...

Vanessa Jackson. Spin off. Exhibition at Artvisor, London

Geometry, the site of form and function, may resist its innate rules to offer a sense of liberation, allowing elaboration,...

Andy Warhol. Photographs 1970 – 1986: A conversation with Jim Hedges and Piero Tomassoni

A conversation with Jim Hedges and Piero Tomassoni around Artvisor's exhibition featuring some of Warhol's iconic polaroid and silver gelatin prints.

Time makes artists anonymous: Nico Epstein on the “Who’s that?” podcast

In the 'Who is that?' Podcast, created by podcast production studio Storm and creative anonymous social network Anon, Artvisor's Nico Epstein focused on the anonymity of digital artists to shed light on the pros and cons of anonymity and how e-commerce and digital marketing change the art landscape.

“ambulatory archives of movie star womanhood”: Drag Queens in Andy Warhol’s Art

Drag queens - people, usually men, who use dress and makeup to imitate and exaggerate female gender signifiers for entertainment - were of great fascination to Andy Warhol, who explored the figure through varying mediums, including the silkscreen, photography and performance.

Meditations on Andy Warhol’s Fright Wig

In his early 20s, Andy Warhol began wearing a wig. At first, it was to disguise his hair loss. However, as the years went on, the unique silver wig contributed to his avant-garde mystery, and the wig, a means of concealment, became a recognisable feature of the public figure of the artist.

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