Giuseppe Stampone is one of the artists participating in the Korean Pavilion’s “Future School” at the 17th edition of the Venice Architecture Biennale. Together with Maria Crispal, Stampone developed a series of workshops to introduce his ‘abecedaria’ or alphabetic grids.
Last week’s Contemporary Art sales at Christie’s, Sotheby’s and Phillips saw established names achieving stellar results. William Kentridge’s The Pool set a record for a work on paper at the hammer price £447,000 at Sotheby’s on Wednesday. At Christie’s the day before, Gerhard Richter’s Musa (2009) achieved £1,031,250, a world record for a tapestry by...
Amidst the turbulence presented at the 58th Venice Biennale, Chile’s pavilion is a fitting (anti)monument to the hegemonic power structures that have distorted the historical canon. Much in line with Ralph Rugoff’s questioning of truth in his centrepiece show, Altered Views, curated by the Spanish Agustín Pérez Rubio, presents Chilean artist Voluspa Jarpa’s three-part exploration...
Two weeks ago, the jet set of the contemporary art world continued their breakneck pace around this year’s circuit of must-see/must-be-seen-at-events with the preview of the 2019 Venice Biennale, titled “May You Live in Interesting Times”. It seems as though the whirlwind of Frieze New York is in the distant past. The crowds were heavy...
