“Walls, sculptures and drawings can talk and tell stories, they can echo.” – David Tremlett “There is something very odd, even unnerving about cutting through a photograph. It sometimes feels like I am cutting through flesh.” – John Stezaker We are pleased to announce a two-person exhibition of leading British artists John Stezaker and David Tremlett curated by...
A conversation between Prof. Liat Brix-Etgar and Piero Tomassoni on the role of art and art education in today’s changing society, and their impact on political transformation and engagement.
Vanessa Jackson in conversation about her multi-decade career as painter, educator, and staple of the London art scene.
Christie’s Education is set to hold a two-day programme on the latest art world developments from 16 November to 17 November. Piero Tomassoni and other speakers will discuss the most recent developments in the art world, and provide insights on a wide range of topics relevant to today’s art professionals and scholars. Tomassoni’s segment will focus...
The exhibition Giuliana Balice 1974-75, organised by Zuecca Projects in collaboration with Fondazione Tomassoni, was inaugurated in October at the Atelier Coldefy in Paris, on the occasion of Paris+ par Art Basel art fair. This solo show is the first episode of an extensive project about the convergence between art and architecture. Throughout the history...
Geometry, the site of form and function, may resist its innate rules to offer a sense of liberation, allowing elaboration, ornamentation and re-engagement with the curve, without gesture’s touch. The breadth of geometry, crossing all boundaries and civilisations, can embrace illusion with decorative connotations but may equally demand severity. I have no need for invention....
A conversation with Jim Hedges and Piero Tomassoni around Artvisor's exhibition featuring some of Warhol's iconic polaroid and silver gelatin prints.
In the 'Who is that?' Podcast, created by podcast production studio Storm and creative anonymous social network Anon, Artvisor's Nico Epstein focused on the anonymity of digital artists to shed light on the pros and cons of anonymity and how e-commerce and digital marketing change the art landscape.
Drag queens - people, usually men, who use dress and makeup to imitate and exaggerate female gender signifiers for entertainment - were of great fascination to Andy Warhol, who explored the figure through varying mediums, including the silkscreen, photography and performance.
In his early 20s, Andy Warhol began wearing a wig. At first, it was to disguise his hair loss. However, as the years went on, the unique silver wig contributed to his avant-garde mystery, and the wig, a means of concealment, became a recognisable feature of the public figure of the artist.
